There’s a sense of the mythic in that opening bassline, the way it connect the drum. It’s all sex and slink, a dirt revelation of the youth of 1969, 79…2019. Abbey Road is the true last gospel of The Beatles, and the true gospel of The Beatles, the last time the band would truly ever “Come Together,” and it’s little wonder it’s so glorious a send off, despite it being released after Let It Be. Continue reading “The Beatles: Abbey Road (1969)”
Does anyone really sit through the entirety of The Beatles (hereafter known as The White Album) and think its a work of genius? Some of my favorite songs are on here, and you also have “Piggies” and “Honey Pie” which are…less than satisfying. There’s a bold beauty on display that The Beatles (hereafter known as…The Beatles) reached for a much more experimental and shaggy structure, where everything before was so compact and cohesive. Although it’s a fair point to sat that the fact The White Album is so shaggy is the cohesive point, so I don’t know. Continue reading “The Beatles: The Beatles (1968)”
Man, 1967 was a busy year for The Beatles. Only a few short months after Sgt. Pepper’s Lonely Hearts Club Band came the ill-advised television special Magical Mystery Tour. If you’ve ever seen the film, it’s a poorly contrived mess; a huge departure from the fun of A Hard Day’s Night and Help!. Fortunately, the new songs that accompanied the film were still pretty damn great, and so we can still hold our head high with Magical Mystery Tour the album, even if the second side is filled with previously released singles. Continue reading “The Beatles: Magical Mystery Tour (1967)”
Retired from touring in 1966 and given the freedom to explore other avenues of creativity, The Beatles regrouped and went into full-on experimental mode, crafting a vaguely conceptual album about a fictitious band with which they could embrace new technologies and make music unfettered (to a point) and untethered (to a point) from the musical zeitgeist their previous work created. Thus was born Sgt. Pepper’s Lonely Hearts Club Band, the only album to ever inspire a film starring Peter Frampton and the Bee Gees. If that’s not a legacy, I don’t know what is. Continue reading “The Beatles: Sgt. Pepper’s Lonely Hearts Club Band (1967)”
Coming through the other side of Rubber Soul things got progressively more, well…progressive for The Beatles. Moving further into different instrumentation and more complex arrangements, Revolver stands as one of the definitive statements in rock and roll history. Continue reading “The Beatles: Revolver (1966)”
This is where it starts. When I think about The Beatles, I think about Rubber Soul. I think about the sudden jump in production experiments, the way albums stopped being collections of songs and started becoming albums. The jump from your frolicking boys on Help! to the grown, curious men on Rubber Soul is perhaps the biggest creative leap in the band’s discography. The main thing on everyone’s mind is still women, but I don’t know if a better batch of songs have ever been crafted about the subject, at least as it pertains to the pursuit of said subject from a young, curious man’s perspective. Continue reading “The Beatles: Rubber Soul (1965)”
Is it cool to dump on The Beatles? Is it an age thing, or just a Metal Twitter™ thing? If you were to leave out the context of their music, their place in the evolution of pop and rock both as a sound as well as a cultural zeitgeist…if you were to just sit back and listen to the music how can you not fall into the melodies, the harmonies, the seeming simplicity of the hooks? I have a firm policy of “love what you love” when it comes to music: who am I to judge you when I listen to a number of bands in corpsepaint and fishnets? But if you stand and tell me the exquisite combination of John, Paul, George and Ringo (yes, Ringo) are overrated, quaint, or just plain suck, then sadly a part of me judges you.
You, my friend, need some Help! Continue reading “The Beatles: Help! (1965)”