atila - the beginning of the end

Atila: El Principio Del Fin (1975)

Blind buys are always a crapshoot, and any criteria you use to make a judgement on a band or album will always only take you so far. Case in point: I read about the debut album from Spain’s Atila on the LaserCD website, and admit I was taken in by lines like “Originally released in 1975 by the obscure New Promotion label in an alleged tiny pressing of 100 copies the album has reached “monster” status among die-hard collectors worldwide, sometimes reaching the 1500€ tag.” So the idea of grabbing El Principio Del Fin (or The Beginning Of The End) in a remastered reissue with liner notes and a bonus CD of an alternate cut of the album sounded great. And…it’s fine? Also I could have just grabbed the digital version on Bandcamp for about $10? Oh well, it still sounds pretty good.

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norman connors - dance of magic

Norman Connors: Dance of Magic (1972)

I wasn’t planning on this being a jazz-heavy week, but after listening to the fantastic Les McCann album, I turned to see what other unlistened CDs and records I had lying around and recalled the 2-for-1 disc featuring the first two albums of drummer Norman Connors as a bandleader. Although he’d be more known for his smooth R&B soul jazz in a few years with hits like “Betcha By Golly Wow” and “You Are My Starship”, Dance of Magic shows the man in hardcore jazz mode with a killer lineup helping to bring his vision to life. Also like McCann, it features one massive side-long track followed by a few shorter numbers, but the improvisation and genre mixing goes in both a smoother and more avant-garde direction.

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les McCann - invitation to openness

Les McCann: Invitation to Openness (1972)

I didn’t know who Les McCann was, or what kosmigroov was as a genre, but somehow (I assume from Sea of Tranquility) I picked up a copy of McCann’s Invitation to Openness and haven’t looked back. Or forward, really: I’ve pretty much just stayed with this album, but if this is indicative of what the keyboardist/ composer does on his other albums and I’ll need to rectify that soon. Both meditative and funky, psychedelic and jazzy, it’s a gorgeous record that can match me when I need to send into the clouds or come down from the ledge.

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uriah heep - salibury

Uriah Heep: Salisbury (1971)

Despite my love and recent purchases of the later, most current iteration of Uriah HeepLiving the Dream and Into the Wild are killer modern rock records – there’s nothing like that classic, early 70s incarnation. Like their debut, sophomore record Salisbury has a different track order depending on if you have the UK or the US version, and while the original UK would have been a better selection (you can’t beat opening with “Bird of Prey”), you can’t throw a rock in a record store here without hitting at least three copies of the US pressing for under $8. On the upside, wicked cover art, though.

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steve hackett - please don't touch

Steve Hackett: Please Don’t Touch (1979)

If Voyage of the Acolyte was anything, it was the expected thing from Steve Hackett. A synthesis of his progressive rock chops honed from his time in Genesis and his penchant for more pastoral, classical arrangements. And beautiful guitar playing, of course. So the surprise of the left turn he takes on his sophomore solo album makes Please Don’t Touch perhaps makes the album more of a delight than I anticipated. Hackett recorded in the United States, working with a number of incredible vocalists and a killer’s row of backup musicians, and the variety of styles on display makes this a delight, my current go-to record for lifting the spirits.

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steve hackett - voyage of the acolyte

Steve Hackett: Voyage of the Acolyte (1975)

It was a difficult walk. We had a fight just before then, and because I wasn’t sure if it was going to continue I kept my headphones off in case I needed to listen and respond. She put hers on first, and I I did the same, reaching for something to get lost in. I’d been so enamored of Steve Hackett and his live series of discs covering large swaths of the Genesis catalog I had largely foregone his actual solo output. I found a great 1st US pressing of his debut Voyage of the Acolyte on Discogs, spun it up (virtually) and proceeded to get lost.

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