52 Reasons Why

Wanted to do something different today. It’s my birthday, and I already built a playlist last week celebrating a bunch of great music that came out during the year of my birth. But the music of 1973 isn’t what made me into who I am now – that’s an ever-growing, ever-evolving store of musical moments and memories. And so I wanted to make another playlist, of the songs that inspired me, moved, me, marked significant moments of my life.

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bruford - one of a kind

Bruford: One Of A Kind (1979)

Somehow reading about and buying a lot of those Three Blind Mice and East Wind releases led me from Japanese jazz fusion over to what the rest of the world was doing with fusion. I decided to start filling gaps in my knowledge and collection with Bruford, the solo group project led by former Yes and King Crimson drummer Bill Bruford. One Of A Kind is his second solo album, moving the murderer’s row of talent he assembled for his debut into an actual group unit, including Allan Holdsworth on guitar, Dave Stewart on keyboards, and Jeff Berlin on bass. Yeah, it’s kind of U.K. Pt. II with this being where Bruford and Holdworth ended up after leaving that supergroup, but make no mistake about the genre: this is pure jazz fusion rather than any attempt at prog rock or pop.

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allan holdsworth - iou

Allan Holdsworth: i.o.u. (1982)

Guitarists whose playing is truly unique and identifiable are few and far between.  Sure, you can maybe listen to two seconds of a solo and know who’s playing it and what song it’s off of, but what if it were a new song?  Eddie Van Halen?  Sure.  Brian May?  Maybe.  If Hendrix and Stevie Ray Vaughn were alive I’d throw them into the mix.  But one person truly deserving of being in that conversation is the late, great Allan Holdsworth, whose virtuosity on the instrument is matched by his unique way of using harmony to construct massively complex chord structures that delicately balance straight jazz, fusion, and pop.  I.O.U. stands out as a masterpiece that recalls the best of what Holdsworth brought to music, still vibrantly alive almost 40 years after it was recorded.

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