Geordie Greep: The New Sound (2024)
Here’s a hot take for the prog nerds: most of y’all don’t actually want music to be progressive. You want your progressive rock to sit safe and snug in the catacombs of bands laid to rest 40-50 years ago. You want the comfort and familiarity of long tracks, keyboard jack offs and clean, soaring vocals (god forbid there’s some death growls in there, y’all seem to be losing your minds at the new Opeth). How else to describe the general lack of discussion around an album as ambitiously and confrontationally titled as The New Sound, the debut offering from former black midi (RIP) guitarist and vocalist Geordie Greep?1 It takes Greep’s former band’s sonic exploration and stuttering rhythms and slaps a fresh coat of Latin and lounge and fiery rock for one of the best progressive albums of the year.
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