agriculture - the spiritual sound album cover

Agriculture: The Spiritual Sound (2025)

Welcome to an experiment. As I write this, my brief take on The Spiritual Sound, the phenomenal sophomore LP from California’s Agriculture, I’m actually listening to their self-titled debut – an album I really, really did not care for. Summoning the joy and fervor the new album gave me while revisiting a debut I found anonymous and cowering behind a wall of bricked production, I began to identify fragments of the things that would fully bloom two years later. I won’t say I’ve come around yet, but man: what a giant leap this album takes – and lands – successfully.

I think.

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deafheaven - lonely people with power

Deafheaven: Lonely People With Power (2025)

I can remember Deafheaven in Decibel Magazine way back when their debut Roads To Judah came out in 2011. It was solid, but at the time I had other musical preoccupations so dropped it. Then Sunbather came out and everyone lost their goddamn minds. And with good reason: that cover, the wall of sound that would sprout a literal army of imitators, none of whom could touch the band and only weaken the subgenre to the point where we’re all kind of sick of it. Since then the band have been both expanding and contracting their sound, drilling into their blueprint, blowing it up, and then reassembling it again, all to varying results. But those results were necessary, because after too many listens to count Lonely People With Power might be the band’s best, most honest album in their career. It’s certainly one of the best metal album in 2025, so time to do that thing when I figure out why I think that way.

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isleptonthemoon - only the stars know of my misfortune

ISLEPTONTHEMOON: Only The Stars Know Of My Misfortune (2024)

Why do we consume what we consume? Sometimes it’s just faith, whether it’s a band, a style, or a label. Sometimes it’s all of those at once, which is what prompted me to buy Only The Stars Know Of My Misfortune, the third full-length from anonymous bedroom black metal artist ISLEPTONTHEMOON. Everything sounds great on paper: one-man DSBM artist incorporates shoegaze and slowcore into their sound, gets picked up by Bindrune and is championed by Panopticon’s Austin Lunn, with a mastering job from Sterling Morrison. I wish the results were as good as that summary, because like a lot of music of this nature, and on this label, equal care isn’t paid to each section of the music, with the resulting album having so many solid moments marred by super compression and a lack of dynamics that sadly is far too common for this sub-genre. There are beautiful moments to be had, but man I wish it didn’t kill my ears to find them.

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asunojokei - awakening

Asunojokei: Awakening (2018)

The first true full length from Japan’s Asunojokei (明日の叙景) translates to Awakening, and it’s a marvel of a record, taking blackgaze, prog, and hardcore elements and injecting it with a kitchen sink approach that is anything but disorderly to create a vibrantly alive album that made my Honorable Mention list last year, but in reality should have been in the overall list.  Continue reading “Asunojokei: Awakening (2018)”

AC/DC, Alcest, and Music That Hurts

It’s probably not a shocking revelation that as I’ve been doing this project I’ve also been buying music.  Since it’s still in its infancy, the chances of picking up an album that would have already been reviewed is small.  But it does and did happen, so I wanted to take the time to spend a few words on two recent purchases: Highway to Hell from AC/DC and the debut full-length from Alcest, Souvenirs d’un autre monde.  Over the short course of writing this, it turned into something else. Continue reading “AC/DC, Alcest, and Music That Hurts”