Day 10 of the #mayvinylchallenge asks for an album that was a “grower” – something that you didn’t initially respond to but learned to love over time. Rather than a record, I wanted to take a few hundred words to talk about the band I couldn’t wrap my head around for the longest time until circumstance and providence met to change the wiring in my brain. The album was Life Metal, and the band was SUNN O))), sonic explorers of the bowel-earth frequencies. Together with its sister album Pyroclasts, I found a music that could cancel the anxiety and chaos churning in my head.
Continue reading “SUNN O))): Life Metal (2019)”
Boris is a band that evolves with you. I remember first discovering them when Pink was released back in 2005, and you could argue this was the start of their more “accessible phase” so maybe it was good timing, coming in at a point where the band was injecting their unique style into molds with recognizable shapes. I kept listening as they moved forward, but their previous, more drone and noise inspired works always felt distant and unconnected for me. As I grew older and experienced more music, their sonic signature continued to align closer to mine, until the point arrived where I find myself more often than not turning to the band’s entire catalog based on my mood and my emotion/mental needs. So enter Reincarnation Rose, which on the surface is a single being used to push Wata’s collaboration with Earthquaker Devices on a new fuzz pedal modeled after her tone, but on a deeper, more personal level for me marries what I originally loved in the band, and what I grew to love the more I listened, and the more I opened up to music.
Continue reading “Boris: Reincarnation Rose (2021)”