Coming back to the Scorpions after the fun of discovering their weird psychedelic side with Fly to the Rainbow I skipped ahead a bit to see what fourth album Virgin Killer had in store. By this time they had already started to hone their songwriting into the tighter, more streamlined commercial approach that would rocket them to stardom in a few short years. Having started their path with with third album In Trance (sadly one I don’t own…yet) I was eager to check out if Roth’s guitar was still as frenetic and alight as my first exposure. So let’s dive into Round 2 of Chris reacts to a virgin listen of Virgin Killer and see what hits, what misses, and where I’m left standing with the Scorpions’ 70s output.Continue reading “Scorpions: Virgin Killer (1976)”
Back from a week of vacation where weirdly enough I spent most of my time listening to a lot of metal. Usually it’s a ton of funk and more sunny music to complement the beach weather, but there you go. Anyway, right before I left picked up Fly to the Rainbow, the second album from Scorpions: I’m familiar with what I would call the “classic” period from Lovedrive to Love at First Sting, but beyond some excursions into the late 70s my early knowledge is severely limited. I know the real early stuff is supposed to be significantly different, so as an experiment I’m going to review this real-time as I listen to it for the first time. I guess it’s a reaction post – is that a thing? I don’t know. Let’s dive in.Continue reading “Scorpions: Fly to the Rainbow (1974)”
Like so many metal albums of my youth, it started with the album cover. I would see Looking In, the sixth album from England blues rock band Savoy Brown constantly on my trips to the local record shops, and would marvel at that delicious comic book artwork. But each and every time I’d turn way, convinced it was just another run of the mill 70s rock and roll record that could be ignored. But as I started digging more into some of the obscure gems of the 70s I decided to stop ignoring that cover and give it a shot.
Man, I love being wrong.Continue reading “Savoy Brown: Looking In (1970)”
Kicking off my dive into 1970s hard rock with this recommendation from Sea of Tranquility. I grabbed Detective on CD without hearing anything besides the description: a band that impressed Jimmy Page so much he immediately signed them to his Swan Song label. The band’s eponymous debut is a killer rock album that certainly hews close to late-period Zeppelin were putting out but contains some surprising detours along the way, making it a real catchy hard rock gem with enough of its own identity to (for the most part) keep the clone hounds at bay. In other words, here there be hooks, and they will most assuredly get into you.Continue reading “Detective: Detective (1977)”
Although it certainly didn’t start there, I have Pete Pardo and the Sea of Tranquility YouTube channel to thank for my latest musical excavation. Looking back over this site’s history it’s no secret I love the music of the 70s in all its facets. But hard rock, metal, and prog have always been my bread and butter, and my listening habits have recently been all but taken over by the sinister siren of Moog synthesizers and Fender Rhodes, of the primitive lock of bass and drums matched against Marshall amps stacked to the heavens, reverberating with the root of a thousand riffs chained within, that pentatonic box which birthed a thousand bands…a million songs. From the obscenely popular to the ominously obscured, I’ve been digging deep into the woodwork of 70s rock, and it’s all that damn Pardo’s fault.Continue reading “Consuming the 70s: Heavy and (Not) Forgotten”
It’s Dealer’s Choice for Day 15 of the #mayvinylchallenge, so I clicked “Random” on my Discogs collection and lo and behold: the second solo album from Ozzy Osbourne. It’s easy to understand how Diary of a Madman gets lost in the shuffle of early Ozzy when just a few months earlier Blizzard of Ozz hit us with massive classics like “Crazy Train,” “I Don’t Know,” “Goodbye to Romance” and the stellar “Suicide Solution.” What I find fascinating about Dairy though is how in a few short months to tone already began to change: the songs are darker, heavier, and less commerce minded. Overall it makes for a sinister and great listen.Continue reading “Ozzy Osbourne: Diary of a Madman (1981)”