psychedelic porn crumpets - carpe diem moonman

Psychedelic Porn Crumpets: Carpe Diem, Moonman (2025)

Discovering Psychedelic Porn Crumpets was a happy accident, one of the good things that came out of my VNYL subscription years ago. I thought there was something fun about 2019’s And Now For The Whatchamacallit, the Australian band’s sophomore collection of psych, prog, and gnarly garage rock. There were similarities to what I was digging and discovering in King Gizzard and the Lizard Wizard, and this year with the May release of Carpe Diem, Moonman (not to mention the October’s Pogo Rodeo) the group have risen up with the kind of driving rock I’ve come to love, and miss from the ’70s southern boogie KG&LW have been putting out lately.

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dominic sanderson - blazing revelations

Dominic Sanderson: Blazing Revelations (2025)

I love it when a band or artist stretches just a little bit further than what the majority of listeners expect when they come to an album. Dominic Sanderson is in his mid-20s, and while his brand of analog progressive rock has some of the usual touchstones, I can hear more avant-garde leanings, taking bits of Van der Graaf Generator and swirling them around with the more modern vibes of The Tangent on Blazing Revelations, his sophomore album released earlier this year. It’s an incredible album, growly and thick and heavy with jamming, yet still tied to intricate arrangements and structure. Plus, flute…so you know it’s got a little of that angular Tull riffing.

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sees - abomination revealed at last

Osees: Abomination Revealed At Last (2025)

Another year, another batch of releases from John Dwyer under various names and organizations. But he’s most known for the garage/psych/kitchen rock juggernaut Osees, a killer band who changes styles almost as often as they do band names. But the latest name seems to have stuck, being in place for six years. The style, for better or worse, has also stayed largely the same: a mix of harsh bursts of punk that after a while all roll into each other, making Abomination Revealed At Last an album I gave one or two listens before shrugging it aside. Maybe it’s the times, but coming back to it I can still see my issues, but I also see many little things that bring the songs to life in a way I ignored, to my detriment.

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kadaver - I just want to be a sound

Kadavar: I Just Want To Be A Sound (2025)

This was supposed to be a different review. But I watching a review on YouTube for the latest from German psych/stoner/prog rock band Kadavar for their just-released second album of 2025, Kids Abandoning Destiny Among Vanity And Ruin and we needed to pivot. Not to review that album – the vinyl doesn’t come out until January – but to address the other album the band released this year, the one a lot of critics and content creators rolled their eyes against and fretted and squawked about the change in direction. And yeah, sure: I Just Want To Be A Sound is a bit jarring if you came expecting more of the deep stoner and ’70s rock worship Kadavar have embraced to varying degrees of success since their debut. A few more listens, though, reveal a real sense of adventure and a fine ear for hooks that recall both ’90s and ’00s rock/pop hybrids even as they remain tether to their flared, bellbottom roots.

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deer hoof's noble and godlike in ruin album cover

Deerhoof: Noble And Godlike In Ruin (2025)

Is there a good place to start with Deerhoof? I always confused them with Deerhunter, a band I discovered around the same time, but my only experience with the San Francisco quartet was their 2007 release Friend Opportunity, an album I barely remember except as “weird.” Almost 20 years later I made the impromptu decision to try again. Enter Noble And Godlike In Ruin, their latest critically acclaimed record in a delightful light green vinyl. It’s still weird, but in a way the intervening 18 years of listening have prepared me. Still, there’s a part of me that feels unequipped to explain why now I can find a lot to enjoy in its anarchic chaos.

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militarie gun - god save the gun

Militarie Gun: God Save The Gun (2025)

If you had told me a year ago I would be loving a bunch of young, hungry bands the “kids” of today were into, I guess I wouldn’t be that surprised: after all, I’ve been loving The Dirty Nil since discovering their brand of loud, in-your-face pop punk. But the sheer volume of these young bands, and the strength of their music gives me hope that maybe, just maybe, rock is coming back. Case in point: Militarie Gun, whose second (or third depending on how you count) album God Save The Gun was recommended to me by my friend Sean, who wasn’t even alive when I started dating my wife. It’s a terrific, heart-on-sleeve rock album that straddles the swagger of garage rock with pop punk and indie with a bellyful of hardcore/emo themes.

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