torche - torche

Torche: Torche (2005)

I’m sure there were other bands purveying the sludge pop vibe before Torche; hell, you could say that Floor, the band founded by Torche’s Steve Brooks and Juan Montoya were already setting the groundwork for what Torche, the eponymous debut would crash out of the gate with. But it was my first dalliance with this kind of heaviness, one sheathed in a sparkling pop veneer, made more striking by the rainbows adorning the molten volcano on the cover art. Things would get even more melodic and catchy on subsequent releases, but I started here in that glorious year where extreme metal became a touchstone for me (again); let let’s take a moment and wrap up the work week with why this works (alliteration for the win).

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melvins/boris - twins of evil

Melvins/Boris: Twins of Evil (2024)

At some point I’m going to take a deep dive into the music of Boris, a band I have come to absolutely (amplifier?) worship over the years, starting from their later, more accessible moments and spiraling down to their early, fuzzed out droning earthquake sonics. Melvins are a more mysterious band for me, a collective I know in small pockets despite only only a few releases on digital. The history of these two monsters of noise is long and intertwined, continuing to this very moment with the release of Twins of Evil, a split commemorating the bands’ 2023 tour. Two tracks, each one about 20 minutes long and currently only available as a cheap but awesome $5 CD from Amphetamine Reptile. I couldn’t wait for the vinyl coming soon, so here we are, the CD arriving today and a virgin listening experience awaiting below.

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baroness - purple

Baroness: Purple (2015)

Red mixed with blue give you purple, so it stands to reason there’s an element of mixing at play with Purple, the most recent release from Baroness.  Coming almost four years after Yellow & Green, and also after the traumatic accident that almost cost John Baizley his arm, there’s a sense of bruised urgency to the tightened song structures that make for a great return to form for the band, as well as a clarity of intent and identity.   Continue reading “Baroness: Purple (2015)”

baroness - yellow and green

Baroness: Yellow & Green (2012)

It’s something to see a band release a double album.  When I see it I have to wonder if the band really felt like they needed two albums to get their point across; are they that confident in the songs?  Maybe it’s a reflection of my own insecurity when it comes to making music.  Regardless, though we might never know the real reasons, Baroness went ahead and did that very thing, putting out the combined Yellow & Green in 2012.  And, well…it goes about like many other double albums: there’s a great single album in there somewhere, but I usually don’t stick around that long to find it. Continue reading “Baroness: Yellow & Green (2012)”

baroness - blue record

Baroness: Blue Record (2009)

Baroness rightly became metal and indie darlings after their Relapse debut, and Blue Record, their 2009 follow-up earned even more accolades.  So why do I have such a hard time getting entry into its many, many strengths?  After giving it a few more listens the past few days, I think I have the answer.  It still doesn’t top Red Album for me, but I can really see this as the album (or record) where the band finally carve out their real identity, one of passion and pain and a heart that strives for light. Continue reading “Baroness: Blue Record (2009)”

baroness - red album

Baroness: Red Album (2007)

Back in 2007 I named Red Album, the debut full-length by Baroness as my album of the year.  Want proof?  Anyway, the mix of prog and southern sludge post rock still strikes a chord within me, and though it may not be the popular choice, going by thisd re-listen I think I’m comfortable saying this is still my favorite Baroness album.  Maybe that’ll change as I go through the discography this week, but for now it remains solid.  Continue reading “Baroness: Red Album (2007)”