the hunt - the thrill of the kill

The Hunt: Thrill Of The Kill (1982)

One last go-round with The Hunt, Canada’s rocking combo that couldn’t hold with the proggy classic stylings of their self-titled debut, fumbled with the slick processed AOR of their sophomore release, and in their third incarnation settled on a slight if enjoyable amalgam of hack rock and proto-hair metal with The Thrill Of The Kill. The music is further streamlined into simple rock arrangements but there’s a consistency in identity that makes this a step up from Back On The Hunt. I honestly don’t know how often I’d turn to this record as opposed to dozens (if not hundreds) of bands that did it better, but as an alternative to the big hitters I’ve worn the grooves and tape out on, it’s certainly not the worst alternative, and overall is pretty fun, especially when they stick to their guns…and their own songs.

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the hunt - back on the hunt

The Hunt: Back On The Hunt (1980)

What a weird, strange trip it’s been for Canada’s The Hunt. Born out of the ashes of progressive hard rock outfit Dillinger, they seemingly got everything together for some streamlined AOR on their self titled debut, but founders Jacques Harrison and Paul Cockburn left shortly after, leaving new lead singer Brian Gagnon and drummer Paul Kersey to forge ahead. Three years later the band, now a trio completed by guitarist Paul Dickinson (these guys know ALL the Pauls), came back with Back On The Hunt, featuring killer album art and a set of songs that rely too much on cowbell and a soft production that almost but not completely leaves the songs defanged of any real attack.

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the hunt - the hunt

The Hunt: The Hunt (1977)

Okay, so Canada begat Montreal, who begat the Harrison brothers Jacques and Robert, who moved to Toronto and with Paul Cockburn and Terry Bramhall begat Dillinger, who put out two albums that were a kind of pumped up proggy Grand Funk Railroad and Chicago that had their moments but failed to make an impact. So Robert Harrison and Terry Bramhall left, and Jacques and Bruce – under the guidance of their manager Cliff Hunt – formed the not-so-coincidentally named The Hunt, moving further away from the weird prog elements and getting a little more Led Zeppelin in their sounds thanks to the pipes of new vocalist Brian Gagnon. With a new drummer and bassist also in tow, The Hunt definitely feels of a moment, that moment being late 70s AOR hard rock. That’s not necessarily a bad thing, just a different thing.

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