(Un)Focused Definition Ep. 4: This Is Why (Physical Media)

I have no idea what I did, but somehow I screwed up my Apple Music. I was uploading some stuff I bought from Bandcamp (a bunch of albums from the Italian prog band Celeste)and now iCloud won’t update my library and on my desktop all the music I loaded from streaming is gone. It’s still there on my iPhone and iPad, so I know it’s just a syncing issue, but it’s frustrating all the same because I had a different theme in mind for this week’s (Un)Focused Definition playlist.

But since that fell through the cracks, we’re going to do a playlist featuring tracks from some (more) recent vinyl acquisitions. What can I say? I have a problem, and it’s an addiction I have no desire to knock. So let’s get into it, starting with a preview of the next review and series, shall we?

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uncle acid and the deadbeats - blood lust

Uncle Acid & the Deadbeats: Blood Lust (2011)

When you’re recording guitars you’re taught to keep things “out of the red” – even with the heaviest distortion, you want to keep the sound from clipping and sounding like there’s something wrong with your speakers. Another term for it is “bricking” – when you see the wav form for something recorded too hot it looks like a solid brick of sound with no dynamics. It’s a good thing no one told Uncle Acid & the Deadbeats about that, because their second album Blood Lust wouldn’t have nearly the impact it does if the guitars (and everything else) didn’t sound like all the levels were maxed out. Far from being unlistenable, it creates a lo-fi psych/stoner doom rock gem that gets better with each listen.

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