tonguecutter - minnow

Tonguecutter: Minnow (2025)

Looking at how it morphed and twisted over the course of 50 years, it’s still strange to think that the first word coming to my head when I think of punk as a genre is “versatile”. The DIY ethos and unadorned approach has spread to so many different styles and movements, and when it intersects with noise rock, hardcore and (using it since they do on their Bandcamp page) riot girl, you get Tonguecutter, a trio out of Muskegon, Michigan whose debut full-length Minnow has been playing non-stop on my turntable since discovering them back in May. Short, ferocious, and catchy as hell, it’s been my go-to when I have a lot of pent up frustration and stress that needs to come out.

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turnstile - never enough

Turnstile: Never Enough (2025)

On paper I probably shouldn’t like Never Enough, the fourth studio album from punk/hardcore/emo/pop mashup Turnstile; I didn’t care for their lauded 2021 album Glow On, and the youthful, angsty lyrical conceits feel a thousand miles away from where I’m at both emotionally and mentally. But the heart wants what the heart wants, and right now that’s immaculate production, hooks that reach for miles, and a smooth punk delivery that washes over you and leaves without damage, to be experienced fresh the next time you hit play. I can’t say Never Enough lingers emotionally, but the feeling when it’s on is a joyous one.

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chat pile - cool world

Chat Pile: Cool World (2024)

“I AM DOG NOW!” Those words, over that music…that might be the most repeated lyric I shouted out in 2024. And to think Chat Pile were a band that, until now I had a cool admiration for but from a distance, their breakout 2022 album God’s Country impressive but leaving me somewhat cold. At the time. Because there was just something about Cool World, the Oklahoma City noise rock quartet’s new album that not only turned me completely around, but shed new light on their previous output and turned me into a dedicated fan. I am dog now, indeed…

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Dischord-Box-Set

Dischord: The First Six Records (2022)

Day 23 of the #mayvinylchallenge asks for a limited edition/signed/numbered or otherwise rare album. I’ve been talking a lot about my love for the Dischord label, and was lucky enough to get in and order their limited edition box set of the First Six Records back when it was $40 and not the $250+ it’s going for now on Discogs. Covering the entire spectrum of music from bands I’ve never listened heard before now to bands that were a formative part of my youth, there’s a lot to unpack here, and that’s besides the great booklet, original liner notes and lyrics/posters, not to mention the careful job of sleeve and colored vinyl recreation, so let’s jump in here with some thoughts.

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#mayvinylchallenge Day 21: Dischord

Day 21 of the #mayvinylchallenge asks to feature an independent music label. As I’m still trying to catch up I decided to return to an old favorite – one I’ve been covering here at the site for a while. So rather than write up another album from the fierce and impeccable Dischord label, I’m going to link to a few I’ve already written for the site. Because sometimes you’re exhausted and it’s 90 degrees and you just need a good lie down, you know?

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fugazi - repeater

Fugazi: Repeater (1990)

We’re back in Fugazi territory, and with every release I regret more and more not having this band in my life during my childhood. I was 17 when the band’s debut full length Repeater came out, and listening to it now 32 years later I can hear how the intensity, the immediacy of the songs would have taken a hold of me. True, I was listening to Minor Threat and getting my McKaye fix that way, but the space and use of sound as a punctuation rather than a melodic component is so addicting now…I assume I would have mainlined this like a fiend back in the day.

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