When you’re recording guitars you’re taught to keep things “out of the red” – even with the heaviest distortion, you want to keep the sound from clipping and sounding like there’s something wrong with your speakers. Another term for it is “bricking” – when you see the wav form for something recorded too hot it looks like a solid brick of sound with no dynamics. It’s a good thing no one told Uncle Acid & the Deadbeats about that, because their second album Blood Lust wouldn’t have nearly the impact it does if the guitars (and everything else) didn’t sound like all the levels were maxed out. Far from being unlistenable, it creates a lo-fi psych/stoner doom rock gem that gets better with each listen.