Call it “death jazz” call it innovative, call it whatever you want…there was an unquestionable feeling that metal had evolved when Atheist released their second album Unquestionable Presence. Metal had always been known for its technical chops, but the lengths to which Atheist contorted those chops to encompass so many style, including – yes – jazz, were quite frankly unknown. Today it stands as a monument to the pinnacle of technical death metal: dazzling without being too overwrought, fast and frenetic and still cohesive as a death metal album. Continue reading “Atheist: Unquestionable Presence (1991)”
I knew the second the chaos of “Black Messiah” burst from my speakers Antichrist wasn’t an album I was going to come back to. This was a clear case of sequencing killing an album for me. Never mind that the 2007 album from Akercocke was (outside of the opening track) for the most part similar to the progressive death metal I loved on Words That Go Unspoken, Deeds That Go Undone. I had just discovered that there are some bands I didn’t need to follow throughout their career.
And that’s totally okay. Continue reading “Akercocke: Antichrist (2007)”
Oh, fancy lads of Akercocke. You do the dress up thing, you sing of Satan and blasphemy, and you play a beguiling progressive death metal that would make many upstarts weep with jealousy. I am not always taken with you, particularly when you go lower than “large pig swallowing another pig” in your vocal range, but damn if the music on Words That Go Unspoken, Deeds That Go Undone isn’t some of the best death metal in the last 15 years. Continue reading “Akercocke: Words That Go Unspoken, Deeds That Go Undone (2005)”