bedhead - 1994-1998

Bedhead: 1992-1998 (2014)

WhatFunLifeWas.  Beheaded.  Transaction de Novo.  I had no idea these albums existed two years ago.  I was unaware of Bedhead, the band that created this music, or the slow core scene in general.  And yet I’ve always known this music.  In a real sense, the music of Bedhead is the music that has always played in the quiet hours inside my head ruminating and reflecting on questions I’ve had my entire life.  Bedhead 1992-1998 is a boxset of the band’s collected output, and to say that for me it’s become one fo the essential musical components of my life is not an exaggeration. Continue reading “Bedhead: 1992-1998 (2014)”

beck - modern guilt

Beck: Modern Guilt (2008)

To start, this was not the Beck album I thought I was going to write about.  I went into the morning happy to revisit an old friend, a sunny, chill psychedelic folk album that reminded me of gots lazy days and warm introspection.  Well, that album was Morning Phase, an album I apprarently don’t own despite really enjoying.  Instead, I have Modern Guilt, Mr. Beck Hansen’s brief but listless 2008 effort that starts promising but ultimately leaves almost no impression once it’s over. Continue reading “Beck: Modern Guilt (2008)”

arctic monkeys - suck it and see

Arctic Monkeys: Suck It And See (2011)

Moving away from the heavier doom of Humbug, 2011 finds the Arctic Monkeys embracing the lessons of simpler arrangements and more straightforward songwriting.  Pop-infused like opener “She’s Thunderstorms” and “Black Treacle” chart the course for the tongue-in-cheek Suck It And See.  It’s the first time the band sounds like something other than completely themselves, and despite the strong collection of songs here it’s this album where I start to fins myself wandering a bit in attention. Continue reading “Arctic Monkeys: Suck It And See (2011)”

arctic monkeys - humbug

Arctic Monkeys: Humbug (2009)

Humbug is a great example of how you can have all the same pieces, all the same musical components from your previous albums, but can create something completely different in the simple construction of said pieces.  It’s that the Arctic Monkeys significantly altered their sound, but by enlisting Josh Homme from QOTSA as a producer there’s a looser, bludgeoning vibe to the tracks, overall more claustrophobic and viscous.  It all leads to a deeper, darker record that gets better with every listen.  In other words, just another Arctic Monkeys record. Continue reading “Arctic Monkeys: Humbug (2009)”

arctic monkeys - favourite worst nightmare

Arctic Monkeys: Favourite Worst Nightmare (2007)

Laced with a more anxious vibe even as it broadens its musical palate, Favourite Worst Nightmare is an interesting follow-up to the smash debut from Arctic Monkeys.  While the music isn’t as readily accessible from a “single” format the band continues their sense  of adventure, getting seriously dense at times, although a few songs really open back up to the sense of fun from the debut. Continue reading “Arctic Monkeys: Favourite Worst Nightmare (2007)”

arctic monkeys - whatever people say I am...

Arctic Monkeys: Whatever People Say I Am, That’s What I’m Not (2006)

Within the first seconds of opener “The View From The Afternoon” I’m all in on Whatever People Say I Am, That’s What I’m Not, the frantic and impeccably slick debut from the Arctic Monkeys.  The indie bands that instantly wowed me as I was exploring other genres besides straight up rock and metal were few and far between, but the ridiculous level of musicianship coupled with effortless execution and a tongue firmly in cheek (when it wasn’t wagging) all combined to make this a favorite, something that gets better the more it’s played and the LOUDER it’s played. Continue reading “Arctic Monkeys: Whatever People Say I Am, That’s What I’m Not (2006)”